Issue Three, Page Ten
September 7, 2020 in
Issue Three Cover
Issue Three, Page One
Issue Three, Page Two
Issue Three, Page Three
Issue Three, Page Four
Issue Three, Page Five
Issue Three, Pages Six and Seven
Issue Three, Page Eight
Issue Three, Page Nine
Issue Three, Page Ten
Issue Three, Page Eleven
Issue Three, Page Twelve
Issue Three, Page Thirteen
Issue Three, Page Fourteen
Issue Three, Page Fifteen
Issue Three, Page Sixteen
Issue Three, Page Seventeen
Issue Three, Page Eighteen
Issue Three, Page Nineteen
Issue Three, Page Twenty
Issue Three, Page Twenty-One
Issue Three, Page Twenty-Two
Issue Three, Page Twenty-Three
Issue Three, Page Twenty-Four/Twenty-Five
Issue Three, Page Twenty-Six
Issue Three, Page Twenty-Seven
Issue Three, Page Twenty-Eight
Issue Three, Page Twenty-Nine
Issue Three, Page Thirty
Issue Three, Page Thirty-One
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7th Sep 2020, 9:00 AM
True Art Confessions: A Page of Paige
I always have mixed feelings about doing these Author Notes. Part of me wants to celebrate the things I'm happy with on each page, the drawing problems and weaknesses in my own technique that I feel I overcame (at least somewhat). Another part of me is worried that by doing so, I'll jinx myself, or open myself up to someone saying "not so fast, you're not quite there yet" (FYI: I know). I guess everyone who takes the artistic journey is always pushing to extend the boundaries of their own abilities, and also to keep their inner critic at bay. It is a struggle sometimes! All we can do is keep trying hard to improve.
That said, drawing Paige Wan has been a challenge and a struggle every single time I've drawn her. I've always found women more challenging to draw than men, and I find drawing "normal" people wearing street clothes much more challenging than drawing superheroes - all those folds in clothing! So she ticks off two of my weak points right there! The other struggle drawing Paige has been to teach myself how to draw Asian features, in a realistic rather than cartoony way - this is something I feel I just started to get a grasp on, here.
Some other notes:
Panel one was not originally planned as a silhouette, but since we were on the characters' backs, looking at essentially empty space (it's always hard to show something that's
there), I felt that silhouetting the image gave it a bit more visual power.
Panel two's pencils were done with Clip Studio Paint's handy Symmetry Ruler tool, but the inks were not - because no one's face in real life is perfectly symmetrical, I let the natural inconsistencies of my inks add a certain asymmetry to her face. The dialogue in these first two panels is putting the weight of story exposition once again on Paige's shoulders, dropping a few more hints as to the nature of the mysterious dimension beyond the Semple-Platt device.
Panel three sees the return of Jenny, Paige's lab assistant, whom we last saw
running off to get help in issue two.
I didn't plan to bring Jenny back when I was plotting out this issue, but as I thumbnailed out this page, it occurred to me that I had established that
the building was full of scientists
, and I had just shown that building
- and that it would be good to account for them all. So those silhouettes in the background of panel four are not ghosts! It's just my way of drawing a crowd without having to draw a crowd.
The genesis of panels five and six is kind of interesting - this joke was created in reverse. I came up with the "pronunciation police" line on
page first, and it was fine, but I felt it was lacking something. Originally, the final line on
was just "It still rhymes with slow motion." After writing the dialogue on this page, I actually went back and changed the previous page's line right before it posted, adding the "pronunciation police" part. This linked the two pages as Set-Up and Punchline, which I think made both pages stronger, and hopefully funnier.
Writing is rewriting, as they say!
7th Sep 2020, 9:37 AM
I dunno. INploded might catch on...
7th Sep 2020, 9:49 AM
Haha, oh no! I'm a bit of a spelling and grammar snob, so this would be my worst nightmare!!
7th Sep 2020, 11:30 AM
Irregardless, it makes more sense than 'inflammable'! ;)
7th Sep 2020, 7:00 PM
Better than "insploded". Which is what I heard my nephew say once.
I think your comic looks fantastic and keeps getting better, Matt. You have the right attitude and it shows. Keep up the good work!
8th Sep 2020, 3:14 PM
Thanks for the kind and encouraging words, Francis!
8th Sep 2020, 7:29 AM
There was no escape route from the control room, but everyone escaped. Thus, there was no one at the controls.
Time for a safety audit...
8th Sep 2020, 3:16 PM
Well... a bit too late for a safety audit now...
8th Sep 2020, 9:58 AM
"reality healed itself"..
oh.. I see.. this wasn't the beginning of the bigger problem, but the very end of it! ... err, wait, somehow I think it will not be that simple ..? ;)
anyways, "inploded" *does* make sense xD
8th Sep 2020, 3:15 PM
Yes - let's say it's sort of the "end of the beginning" of a wider phenomenon...
19th Sep 2020, 4:50 AM
I just noticed his hands on his chest logo are also up...nice touch.
13th Dec 2020, 11:10 PM
Ha! Totally missed that!
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